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Sunday, October 18, 2026
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Game Review: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film is in UK and Irish cinemas from 17 November.

By

Kyle Mendoza

A digital strategist and content creator passionate about exploring how technology shapes modern culture and personal growth.

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